Procaviidae

Iraci
Procavie

Gli iraci o procavie (Procaviidae Thomas, 1892) sono una famiglia di mammiferi presenti soprattutto in Africa, ma anche nel Medio Oriente. Sono gli unici rappresentanti dell’ordine Iracoidei (Hyracoidea Huxley, 1869).

Sono noti in afrikaans come dassie (probabilmente perché i boeri li avevano originariamente scambiati per tassi, das in olandese). Il loro nome swahili è pimbi.

Gli iraci hanno zampe corte, pelo folto, corpo tondeggiante simile a quello di un coniglio ben nutrito, e una coda appena accennata. Hanno una lunghezza compresa fra i 30 e i 70 cm e pesano fra i 2 e i 5 kg. Si nutrono principalmente di erba, foglie, corteccia, radici e bulbi, ma occasionalmente possono mangiare anche qualche insetto. Sono animali prevalentemente diurni e amano stare accovacciati al sole a scaldarsi

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L’aspetto di questi piccoli erbivori è straordinariamente simile a quello dei roditori, con i quali però non sono imparentati. Gli iracoidei hanno una lunga storia, solo parzialmente svelata dai paleontologi, e si ritiene che dal punto di vista filogenetico siano invece legati ad animali di aspetto completamente diverso quali elefanti.

In passato, l’ordine Hyracoidea era molto più diversificato e diffuso di oggi. Sono stati ritrovati fossili di iracoidei di oltre 40 milioni di anni fa (genere Seggeurius). Per molto tempo gli iraci furono i più diffusi erbivori in Africa, di dimensioni variabili da quelle di un topo (Dimaitherium, Saghatherium) a quelle di un piccolo cavallo (ad es. Megalohyrax e Titanohyrax). Si svilupparono numerose forme aberranti, come Antilohyrax, simile a una gazzella. Durante il Miocene, gli iracoidei subirono la competizione dei bovidi, erbivori molto più efficienti, e dovettero adattarsi ad habitat di nicchia. Ciononostante, ancora alla fine del Pliocene (2 milioni di anni fa), moltissime specie sopravvivevano in Africa, Europa e Asia; in quest’ultimo continente si rinvengono i resti di Kvabebihyrax, il cui aspetto e abitudini di vita dovevano ricordare quelli dei moderni ippopotami.

Saghatherium antiquum

Prohyrax tertiarius

Pliohyrax graecus

Afrohyrax championi

I discendenti degli antichi iracoidei giganti seguirono due linee evolutive principali. Alcune specie divennero di dimensioni più piccole, e diedero origine agli iraci moderni. Altri rimasero di grandi dimensioni e una parte di essi imparò a vivere nell’acqua; si pensa che da questa seconda linea derivino i proboscidati e i sirenidi Black Runner Waist Pack. L’analisi del DNA conferma la teoria di una forte parentela fra iraci ed elefanti, e anche oggi questi due gruppi hanno molte caratteristiche fisiche in comune, come la forma delle unghie, l’udito, i cuscinetti sensibili sotto le zampe, la forma dei denti, la buona memoria, e la forma di alcune ossa.

Gli iraci moderni conservano molte caratteristiche dei loro antenati preistorici, per esempio un sistema di regolazione termica poco sviluppato, che li costringe a scaldarsi stando in gruppo e passando molto tempo al sole come i rettili. A differenza di altri animali con diete simili, non hanno incisivi molto sviluppati, e per tagliare usano soprattutto i denti laterali. Hanno uno stomaco complesso che consente loro di digerire le fibre con un’efficienza paragonabile a quella degli ungulati.

La classificazione delle specie di iraci esistenti è stata discussa dagli studiosi fino a tempi recenti. Fino al 1995 si consideravano circa una dozzina di specie diverse, mentre oggi il numero è stato ridotto a quattro specie principali, con oltre 40 sottospecie.

Diffusi in Medio Oriente, gli iraci erano noti ai popoli antichi del bacino mediterraneo.

Quando giunsero nella Penisola iberica, i Fenici fecero un errore opposto a quello dei moderni boeri, scambiando per iraci i conigli; da questo errore viene il nome „Spagna“ (in latino Hispania, termine che peraltro indicava tutta la Penisola Iberica), evoluzione di i-shaphanim, „isola/penisola degli iraci“. Analogamente, molti traduttori europei della Bibbia hanno tradotto erroneamente l’ebraico שפן, shaphan („irace“), con „coniglio“.

Nel libro del Levitico viene formulato il divieto di cibarsene poiché, pur essendo ruminante, non ha unghia divisa: pertanto viene considerato un animale „non-kasher“ nella pratica di vita ebraica. Nel salmo 104 (un inno di lode a Dio per le meraviglie del creato), questi animali vengono così citati al : «Le alte montagne sono per i camosci, le rocce sono rifugio per gli iraci».

Altri progetti

Human rights in Palau

The Republic of Palau has had a turbulent history over the last 450 years, with many states claiming ownership over them. Since World War II, the Islands came under United Nation’s (UN) trusteeship and were administered by the United States. After becoming a sovereign state in 1994, they joined the UN and signed the Convention on the Rights of a Child (CRC) in 1995, the Convention on the Rights of Persons with Disabilities (CRPD) and the International Covenant on Civil and Political Rights (ICCPR) in 2011 along with six other core human rights treaties; however, these treaties are yet to be ratified. Palau’s constitution and laws confer most human rights to its citizens, and with the UN and the United States continuing to have a strong influence over the island nation, Palau is continuing to work towards complying with human rights standards expounded by the UN.

In September 2011, Palau signed seven core human rights treaties. The Pacific Office of the United Nations High Commissioner for Human Rights congratulated Palau on these signatures, noting that “the commitment shown by these signatures is remarkable and gives a clear message that Palau has now started a journey to provide people in the country with a stronger foundation to enjoy human rights and fundamental freedoms.”

Traditional Palauan culture and current constitutional protection afford a high degree of care to Palauan children. It is noted that the situation for children is generally good and that in some instances there is a higher degree of protection than is mandated for in the Convention on the Rights of the Child. There is a strong family dynamic, which includes extended family all taking part in “the child’s evolving capacity” and “best interests”. However, Palau is experiencing extreme change to their economic, cultural and societal nature, due globalisation and climate change.

It must be noted, that along with strong care of the child, most adults in Palau are comfortable with physical discipline, this is because in both civil society and law, discipline and control of children are seen as a right and responsibility of the parents. In 2001, seven years after the signing of the CRC, the United Nations Committee on the Rights of the Child were concerned about the increasing trend of abuse, including sexual, domestic violence, ill-treatment and neglect to the children of Palau . There was also concern about the lack of legal provisions that enabled the Government to step in and remove a child from the situation. It was argued that this increase in abuse was due to changing family structure and increasing alcohol and drug intake. Victim’s of Crime Assistance (VOCA), which handles abuse cases, have found that 80% of the cases are associated with alcohol abuse. In 2009 according to RefWorld, there were 25 reported cases of child abuse. These varied between physical abuse (Eight), neglect (Six) but the most serious was that of sexual abuse (Eleven). Seven of these cases arrived at court and only three resulted in convictions.

Education has been a main proponent of decreasing physical abuse along with stronger laws, which both seem to have had an impact. It was found by RefWorld in 2013 that although there are still some isolated reports of child neglect, law enforcement officers are treating the issue more seriously and any complaints made are aggressively investigated and prosecuted. Also the Office of Victims of Crimes, work with children who have suffered abuse and the families involved. It appears that Children’s rights are generally respected in this regard traditionally and that the State is working on educating parents on the dangers of physical and emotional abuse and that if there are problems of abuse, that the child is properly cared for.

Education in Palau has always been considered to be incredibly important. In the 1920s almost 90% of Palaunan children were enrolled at school. Education is free and universal provided by the Government of Palau. In 2007 around 11% of GDP was allocated in expenditure to the education sector. Legislation mandates school attendance from the age of 6 until 17 years of age, which contributes to high literacy rates. However, there has been concerns that the curriculum is out of date but the Government has responded to criticisms and prepared a series of 10 year master plans that work toward increasing the quality of education. The most recent plan spanning from 2006 to 2016. The plans focus on student achievement and quality of instruction by improving teacher training and certification, upgrading school facilities, improving school governance, strengthening student support services, and making the curriculum more relevant. In addition to this, children have a wide range of opportunities offered to them outside of a formal education, which include cultural expression and recreational activities.

Generally the children are quite healthy, the Palauan children have a low prevalence of children who are unweight and there is no evidence to suggest that there is any food poverty

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. However, the diet of the Palauan people is poor and contributes to malnutrition and a high incidence of children being overweight. Despite this there is a well-funded system of medical care for children, with no discrimination based on gender. There is discrimination when it comes to children who are not born in Palau. Admittedly there is only a small number of these children but they are not eligible for Palauan citizenship, which can cause problems as under law only those of Palauan’ descent are entitled to free education and health. The Committee of the Rights of the Child and the United States has noted this as a concern, as this type of discrimination is aimed at young vulnerable children.

Palau was the sixth Pacific Island Forum nation to sign the Convention on the Rights of Persons with Disabilities. The rights of the disabled are applicable to all disabled, young or elderly and are generally respected, with the Government enforcing these rights through legal means. Art. 4.5 of the Constitution designate the disabled to be a vulnerable group entitled to special consideration by the government and acts include Disabled Persons Anti-discrimination Act and a Handicapped Children Act. These laws require access to government buildings, which is usually enforced and public schools have established special programs in order to cater to the needs of disabled children. The Government also provides those with disabilities a monthly amount of $50, along with all measures designed to assist them so that they can be as self-reliant as possible. Disabled are also treated as close as possible as to those who are the same age, therefore they are entitled to the same living conditions, protected from exploitation and abuse and they have organisations that liaise with the Government and look after the rights of the disabled

Palau is continuing to work towards strengthening the rights of the disabled. In October 2013, Palau held a three-day workshop to discuss ways to “strengthen support and ensure a better quality of life for person’s living under disabilities”. Together with Omekesang Disabled Persons Organisation, The Pacific Islands Forum Secretariat (PIFS) and the Pacific Disability Forum (PDF), discussion centred around the continued effective implementation of the Convention on the Rights of Persons with Disabilities, where the Minister of Health Gregorio Ngirmang promised that “The Ministry of Health will continue to provide full support to activities related to persons with disabilities; in particular, providing better health related services”. The point was made that it was not just a matter of advocating and promoting rights but also working towards more support so that the aims of the Convention can be fully realised.

In 2011, one of the treaties signed was the International Covenant on Civil and Political Rights. Part II, Art II provided that “Each State Party to the present Covenant undertakes to respect and to ensure to all individuals within its territory and subject to its jurisdiction the rights recognised in the present Covenant, without distinction of any kind

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, such as…… religion…..birth or other status”. This can be found in accordance with Art. 18 of the Universal Declaration of Human Rights, everyone has the right to freedom of thought, conscience and religion… and freedom, either alone or in community with others and in public or private, to manifest his religion or belief in teaching, practice, worship and observance. In accordance with this human right the Constitution of Palau states that in respect of religious freedom; “The Govt shall take no action to deny or impair the freedom of conscience or of philosophical or religious belief of any person nor take any action to compel, prohibit or hinder the exercise of religion. The Government shall not recognised or establish a national religion, but may provide assistance to private or parochial schools on a fair and equitable basis for non-religious purposes” (Article IV, Section I of the Constitution). It further states that; “The Government shall take no action to discriminate against any person on the basis of sex, race, place of origin, language, religion or belief, social status or clan affiliation except for the preferential treatment of citizens, for protection of minors, elderly, indigent, physically or mentally handicapped, and other similar groups, and in matters concerning intr[a]state succession and domestic relations” (Art IV). Palau generally respects a person’s religious freedom with not only the Constitution in place to protect individual’s rights, but other laws and policies. While religious organisations have to apply to register with the Government, they are never denied Further there are no reports of Religious discrimination based on belief or practice from any individual from the state and as mentioned above, while the government does not sponsor nor promote religious groups and activities (including public schools), representatives of any religious group may request financial support for religious schools. The Government also observes Christmas as a national holiday, due to the vast majority of the population being Christian.

It is estimated that the population of Palau is around 21,000 with the largest domination being Roman Catholic making up 65% of the population. Other religions include Evangelical Church[] with around 2000 followers, Seventh-day Adventists around 1000, Modekengei (unique to the country) 1800, Latter Day Saints are around 300, and the smallest group is Jehovah’s Witnesses who are around 90.

The Government continues to ban work permits for citizens of Bangladesh, India and Sri Lanka. The Bangladesh ban was imposed in 1998 while the India and Sri Lanka ban occurred in 2001. These bans were largely motivated due to employers complaints that non-Christian religious practices were interfering in living arrangements of employee families and activities in the work place. Workers from these countries who were already in Palau were not deported and the small Islamic Community of 400 from Bangladesh continues to be allowed to conduct prayers at work during the day and in their own homes. There does not seem to be impediments to their practice of religion or to their continued employment.

id Tech

id Tech ist eine einflussreiche Familie von Computerspiel-Engines von dem namensgebenden Hersteller id Software.

„id Tech“ ist die ursprüngliche interne Bezeichnung von id Software

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; außerhalb sind die Engines eher als Doom-Engine oder Quake-Engine bekannt. Auf den Engines der Reihe basiert eine große Zahl (mehr als 50) von Spielen und abgeleiteten Engines, besonders bekannt die Spiele der Doom- und Quake-Reihen. Auch die bedeutende GoldSrc-Engine (auch bekannt als „Half-Life-Engine“) baut auf Code der id-Tech-Reihe auf

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. Die aktuelle Generation ist id Tech 5, id Tech 6 ist in Entwicklung. Die ersten drei Generationen der Software wurden vom Hersteller als freie Software unter der GNU General Public License (GPL) veröffentlicht

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Die erste Veröffentlichung eines Spieles auf Basis einer Engine der Reihe war die von Doom im Jahr 1993. Vorgänger war die Wolfenstein-3D-Engine, die noch nicht unter dem Namen „id Tech“ lief. Die erste Generation bot noch keine vollwertig dreidimensional gerenderte Umgebung (kein oder eingeschränktes Bewegen der Blickrichtung auf der y-Achse).

Die id-Tech-2-Engine hieß ursprünglich Quake-II-Engine, die id-Tech-3-Engine Quake-III-Arena-Engine und die id-Tech-4-Engine Doom-3-Engine.

Ian Potts (artist)

Ian Potts (1936–2014) was a painter and educator, who was head of the painting department at the Brighton College of Art and exhibited largely as a watercolour landscape artist.

Potts’ work has been added to several public and private collections; including the Victoria and Albert Museum, London; Arts Council collection; Towner Gallery, Eastbourne; Hove Museum, East Sussex Council; as well as the University of Brighton’s Aldrich Collection.

Ian Potts was born into a mining family in Birtley, County Durham, the only child of Noble and Annie Potts. His artistic talent was first spotted at Chester-le-Street Modern School. At 17 he went to Sunderland College of Art, where he studied fine art and won a scholarship to the Royal Academy Schools in London

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. His graduation in 1958 was distinguished by the award of the Silver Medal for Painting, which led in turn to his appointment to Brighton College of Art.

In 1959 Potts married a fellow student of the Sunderland College of Art, Helen Bewick

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. He began his professional career with a travel scholarship which enabled attendance at the [British School at Athens]. This began Potts‘ professional interest as a travel painter and painter of European and Mediterranean landscapes.

Ian Potts joined the Brighton College of Art as a painting teacher in 1963. During his long career he became Head of Painting during his career at the college, as well as Deputy Head of Fine Art. He retired in 1995, having enhanced the regional, national and international reputation of the institution, helping to guide its role in the new Brighton Polytechnic and later the University of Brighton.

Josie Reed recalls in her obituary for the Guardian in 2014 that Potts „was a popular tutor, known to his students – who included the Turner Prize winner Rachel Whiteread – as Uncle Ian. A skilled poker player, Potts held his own in games against the head of department, Gwyther Irwin, who reputedly had once earned his living playing poker.“

Potts was a life-long traveller, bringing this experience to his experiments with landscape composition and the watercolour medium. Of Potts‘ initial use of watercolour Michael Tucker notes: „it was at first its mundane convenience that drew him to it, as the most practical means of taking note of what was immediately in front of him and visually so intrigued him. He would for ever be a great and curious traveller, and from the time, shortly after his graduation from the Royal Academy Schools, when a travel scholarship took him for a while to the British School at Athens, he would have sketch-book and box of watercolours always in his bag.“

Ian Potts‘ travel painting included works set in Italy and Greece, Egypt and Spain, as well as much of Britain. In the late 1970s, Potts represented Great Britain in the International Painting Symposium held at Prilep in the former Yugoslavia.

Gavin Murray described his work: „But however many distinctions we may detect, and at a time when abstraction and collage are popular, Ian’s work is remarkable for sustaining the representative tradition in English watercolour painting. While moving on from the Classical, the Picturesque, the Vernacular and the neo-Romantic styles that mark the history of English landscape painting Ian advanced the English watercolour tradition just as Cotman and Girtin did before him.“ Exhibition catalogue, 2001, Gavin Murray

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, Director of Keynes Gallery at the University of Kent, Canterbury.

Ian Potts said, “I see my watercolours as an extension to the history of English watercolour painting – absolutely within the tradition, but moving forward a bit, I hope. There is a direct line from artists such as J.M.W Turner and John Sell Cotman to the present day. A more modern artist I admire was Edward Burra though he was working with a world inside himself, whereas I look to the world outside.” Quoted from Ken Gofton, ‚Watercolour Artist‘ magazine, August 2014

William Packer, principal art critic of the Financial Times 1974–2004, said, „As a painter, Ian stands quite consciously – for he knew full well what he was up to – within the great English, or rather British watercolour tradition. So much is obvious; but simply to invoke the great names of Turner or Girtin, Cox or Cotman is perhaps to miss the point, for the tradition continued to develop and ramify through the next two hundred years.“

A major retrospective of Potts‘ work was held at the University of Brighton galleries July/August 2016.

Australian-Croatian Soccer Tournament

The Australian-Croatian Soccer Tournament is a tournament run by the Croatian Soccer Federation of Australia and New Zealand, an organisation founded in 1974. The inspiration for the tournament came from the successful Croatian-North American Soccer Tournament founded in 1964. The Australian tournament kicked off in 1974 with an event staged in Melbourne

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, Australia where six soccer clubs participated at Melbourne Croatia’s ground Montgomery Park in Essendon. The tournament was born. Although only six clubs participated, it was the beginning, a beginning spawned from Croatia Melbourne’s expulsion from the Victorian Soccer Federation, with the clubs leadership including Tony Vrzina and Josip Solic together with Mirko Furjanic the now Honorary President of the Australian Croatian Soccer Tournament being the forerunners in getting the tournament up and going. The second tournament was staged in 1975, hosted by Sydney Croatia and taken out by Canberra FC who defeated Sydney Croatia 3-1 in the Final. Since then it has gone on to become the largest and oldest ethnic football tournament in Australia, having been hosted in every state and territory except for the Northern Territory. It also holds the honour of being the oldest national soccer competition still running in Australia. Melbourne Knights and Sydney United are the only two clubs to hold Life Membership to the Australian Croatian Soccer Federation due to their pioneering in the early days in getting the tournament going, as well as their success on the National footballing stage.

^ 1974 Tournament was a trial event

(1) Adelaide Advertiser „Raiders confident“ 4 October 2002

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, page 103

Official website

19XX: The War Against Destiny

19XX: The War Against Destiny is a vertical scrolling shooter arcade game released by Capcom in 1996. The story takes place before a fictional war („19XX“) as a lone pilot tries to defeat an entire army/evil organization from starting another World War, which soon escalates to a nuclear apocalypse.

This game is the 4th in a series of World War II vertical shooters published by Capcom; the 19XX series, and is the last game in the series developed by Capcom. The previous games in the series 1942, 1943: The Battle of Midway and 1941: Counter Attack used the original Capcom System or CPS-1 and were released from 1984-1990. The CPS-2 platform used by this game allowed for a different art style from that used in previous games. It is followed by 1944: The Loop Master in 2000.

The player selects one of three different planes, each with different ratings in speed, power, and the strength of their homing attack. When flying through the levels, three primary weapons can be used by picking up their respective items, to fire either spreading vulcan bullets, straight-firing lasers, or multi-directional missiles. By holding button 1, the player can charge up to fire a special missile. If this missile hits a large enemy, the player will lock on to that enemy, and can fire fast homing projectiles to damage it further. There is also a supply of smart bombs which can be used to clear away the majority of enemies and their projectiles from the screen. Smart bombs can also be charged up, and each level of charge yields a different effect. If the player is shot down while charging up a bomb, the bomb does not go off.

At the end of every level, the player receives additional points for the number of bombs held in stock

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, a rank increase of 1-5 for the percentage of enemies destroyed, a grade for the time it took to defeat the boss

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, and a bonus for every medal collected which is multiplied by the rank. After beating the last level, the player also gets a large bonus for the number of lives they have remaining.

19XX: The War Against Destiny has been ported to GameTap. However, 19XX is not included in the Capcom Classics Collection titles, as it is a modern game according to Capcom (being created after 1995).

Jefferson County (Tennessee)

Jefferson County er et fylke i den amerikanske delstaten Tennessee.

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;· White · Williamson · Wilson

Koordinater:

Sanger (Lillebjørn)

Sanger er Lillebjørn Nilsen åttende soloalbum fra 1988. Albumet ble utgitt på LP og kassett i 1988 på Grappa Musikkforlag, og re-utgitt på CD den 6. desember 2010.

Albumet – som ble produsert av Jan Erik Kongshaug – består av ti spor, hovedsakelig i sjangeren viser og country om blant annet kjærlighet, samt en protestsanger, og litt filmmusikk . Sangen «Se deg aldri tilbake» ble skrevet til filmen Blücher (1988), som ble regissert av Oddvar Bull Tuhus.

Enkelte av sangene har også et dypere budskap. Det er verdt å merke seg sangen «Troll!»

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, som har et sterkt poltisk budskap , samt de filosofiske sangene «Chagall’s Gylne Snitt» , «Språkets Poesi» samt «Ord Over Sannhetens Bord» .

Trass i dette, var ikke albumet i nærheten av å komme inn på salgslistene.

Tekst og musikk: Lillebjørn Nilsen

Tekst og musikk: Lillebjørn Nilsen

«Språkets Poesi» handler om en dikter.

Tekst og musikk: Lillebjørn Nilsen

Tekst og musikk: Lillebjørn Nilsen

Musikk: Lillebjørn Nilsen

Sangen er instrumental, altså uten tekst, men handler (ifølge undertittelen) om kanefart på Lillehammer. Til denne låten ble gitaren stemt i G D-G-D-G-H-D i rekkefølge fra tykkeste til smaleste streng, mens det normale er E-A-D-G-H-E. Første, andre og sjette streng er altså stemt ned en tone for akkurat denne låten, for å få det som på engelsk kalles «Open G-tuning», eller rett og slett åpen stemming på norsk.

Metoden er velkjent og har blitt benyttet av både Keith Richards, gitaristen fra Rolling Stones i sangen Start Me Up, og Joni Mitchell i sangene «Little Green» og «Nathan LaFraneer».

Tekst og musikk: Lillebjørn Nilsen

Tekst og musikk: Lillebjørn Nilsen

Denne sangen skal angivelig ha blitt skrevet i 1988, i forbindelse med at Frp feilet. Sangen kunne tilsynelatende handlet om – som tittelen sier – Troll! Men ifølge Lillebjørn Nilsen selv, brukes «trollene» her som en metafor for rasister.

Lillebjørn Nilsen har skrevet om troll tidligere også, i sangen «Haba Haba» fra albumet …og Fia hadde sko

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, fra 1974, som var en barneplate.

Men om man sammenligner tekstene, er nok den forrige troll-sangen, «Haba Haba», mye muntrere og ganske så uskyldig:

«Haba Haba» (1974) (utdrag)

«Troll!» (1988) (utdrag)

(og et annet sted i teksten):

Forskjellen er at mens «Haba Haba» var en barnesang, er «Troll!» er en poltisk sang myntet på FrP, nazister og rasister.

Med tekstlinjen «Henrik Wergeland fant et troll i vår Grunnlov. Det er sant!» sikter nok Lillebjørn Nilsen til den såkalte jødeparagrafen som Wergeland kjempet mot og fikk avskaffet i 1851. Den «lille ulven Adolf» er selvfølgelig Adolf Hitler.

Lillebjørn Nilsen beviste også at han mislikte FrP i 1999 ved å helle ølglasset sitt i hodet på FrP mannen Vidar Kleppe under en debatt på Tostrupkjelleren. Noe som førte til at Nilsen angivelig gikk glipp av Oslo bys kulturpris det året, da prisen gikk til kunstneren og billedhuggeren Nina Sundbye. Lillebjørn Nilsen fikk imidlertid prisen i 2004 i stedet.

Sangen fikk også nytt liv i forbindelse med terrorangrepet den 22. juli 2011.

Tekst og musikk: Lillebjørn Nilsen

«Changall’s gylne snitt» (utdrag)

Denne sangen handler om den hviterussiske kunstneren Marc Chagall som også brukte metoden kjent som det gylne snitt, som var en matematisk tilnærming til kunsten (ofte tilskrevet kunstneren og vitenskapsmannen Leonardo da Vinci, hvor man mente å ha funnet en geometrisk lovmessighet i idealproporsjonene med utgangspunkt i tallet 1,618 033 989, som man også finner igjen i menneskekroppens ideal proporsjoner.

Lillebjørn Nilsen lot seg også fascinere av den italienske matematikeren Leonardo Fibonacci, hele 25 år før forfatteren Dan Brown skrev boken Da Vinci-koden som tok utgangspunkt i akkurat denne berømte tallrekken , som kalles Fibonaccifølgen.

Tekst og musikk: Lillebjørn Nilsen

Tekst/musikk: Lillebjørn Nilsen/Lillebjørn Nilsen og Arild Andersen

Denne sangen ble skrevet til filmen Blücher fra 1988 , regissert av Oddvar Bull Tuhus som er ektemannen til Lillebjørn Nilsens tidligere kollega Åse Kleveland fra gruppen Ballade!. Lillebjørn Nilsen hadde sammen med komponisten Arild Andersen fått i oppdrag å skrive filmmusikken til denne filmen, og denne sangen ble altså skrevet i samarbeid med Arild Andersen.

LP (1988) GRLP 4009 (Grappa) 1988 (40:46)
MC (1988) GRMC 4009 (Grappa) 1988 (40:46)

Side A (20:14)

CD (2010) GRCD 4369 (Grappa) 06.12.2010 (41:14)

Leopold Damian

Leopold Damian (* 4. April 1895 in Böbingen; † 19. April 1971 in Neustadt an der Weinstraße) war ein deutscher Politiker (NSDAP) und SA-Führer.

Damian, von Beruf Volksschullehrer, trat am 1

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. Mai 1929 in die NSDAP ein (Mitgliedsnummer 133.642)

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. Am 1. Januar 1930 trat er zudem in die SA ein, in der er 1943 den Rang eines Gruppenführers erreichte. Bei der SA übernahm er am 1. Mai 1931 die Führung der Standarte 18 und ab 1934 der Brigade 51 in Neustadt. Im Juli 1937 wurde er in München Abteilungsleiter beim Gerichts- und Rechtsamt der Obersten SA-Führung. Von November 1937 bis April 1941 war er Beisitzer und Leiter des Obersten SA-Gerichts. Ab April 1941 führte er die SA-Gruppe Oberrhein. Zudem war er Beisitzer beim Volksgerichtshof.

Am 28 Green Runner Waist Pack. April 1942 trat Damian im Nachrückverfahren für den verstorbenen Willy Ziegler als Abgeordneter in den nationalsozialistischen Reichstag ein, dem er bis zum Ende der NS-Herrschaft im Frühjahr 1945 als Vertreter des Wahlkreises 32 (Baden) angehörte.

Charlie Corwin

Charlie Corwin serves as Co-Chairman and Co-CEO, Endemol Shine North America. Corwin originally joined Endemol Shine North America in October 2014.

Corwin, alongside colleague Cris Abrego

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, leads the North American division of Endemol Shine Group, the newly merged global independent content creator, producer and distributor with a diverse portfolio of companies that are behind some of the most prominent hit television formats and series in the world.

Corwin and Abrego oversee all of the division’s unscripted programming, including hits such as CBS’ “Big Brother” and FOX’s “MasterChef” and scripted series from its Endemol Shine Studios, producers of AMC’s “Hell on Wheels,” DirecTV’s “Kingdom” and HBO’s upcoming drama “Utopia.”

Also under their purview is Endemol Live (“Pitbull’s New Year’s Revolution” on FOX), Spanish-language sales and production team Endemol Shine Latino, nationally syndicated series “Steve Harvey” and Endemol Beyond USA, the company’s digital unit, which recently launched global lifestyle network ICON with Michelle Phan. Endemol Shine North America is also home to a portfolio of industry-leading subsidiary production companies including Authentic Entertainment, Original Media, True Entertainment and 51 Minds Entertainment. In addition, Endemol Shine North America has a strategic partnership with Ryan Seacrest Productions.

Corwin, an award-winning film and TV producer, previously led the production company Original Media as its CEO and co-founder. While there, Corwin oversaw the development of some of the U.S.’s most successful TV series and formats, as well as critically acclaimed box office successes. In television, Corwin is widely considered an innovator for his creation of subculture specific docu-series such as „Miami Ink” (TLC) and its popular spinoffs, „LA Ink“ and „NY Ink,“ as well as the breakout successes „Swamp People” (History) and “Storm Chasers” (Discovery).

Along with Kevin Smith, Corwin co-created “Comic Book Men“ (AMC), about fan-boy culture and also co-created and executive produced „The Rachel Zoe Project” (Bravo). In 2009, he co-created the scripted drama “The Philanthropist” for NBC with Tom Fontana and Jim Juvonen.

Corwin has produced numerous feature films that have been nominated for a total of 14 Spirit Awards, 3 Golden Globes, and 2 Academy Awards. Among them, “The Squid and the Whale,” “Half Nelson,” “A Guide to Recognizing Your Saints,” “August

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,” “Twelve” and “Sunlight Jr.”

Endemol acquired a majority stake in Original Media in November 2007, after which Corwin remained CEO and continued to grow the business. He began his career at the Internet start-up Live Music Channel, which was a pioneer in video streaming and a leading provider of live concert performances for television and the Internet, as Co-Founder and President.

Corwin grew up in Manhattan, New York. He has a B.A. degree from The University of Wisconsin and law degree from New York University School of Law. He currently resides in Los Angeles, California with his wife and two children.